The film stars Treat Williams as Maine Congressman Charlie Winship. Fed up with Washington and special interest lobbyists, battered by a media scandal and recovering from divorce, it is only after meeting a group of rugged and self-reliant lobstermen fighting to save their way of life that Charlie reconnects with the idealism that drew him to Congress, while discovering a second chance at personal happiness.
In addition to the main titles, the sequence had to communicate Charlie’s backstory to the audience by incorporating a series of archival photos and clips. Working closely with editor and co-producer Johanna Giebelhaus, our goals were to create a visual sequence recalling classic film titles of the 1960s and 70s with just a hint of a modern feel, and to find an elegant solution within the resources of an independent production.
We’re proud of the final sequence, anchored by a handwritten main title, evocative of both the lawmaker’s signature and the intimacy of the narrative. The tiles reference both the pieces of Charlie’s life, which may be falling apart or coming together, as well as the frame through which the illicit photographer is spying on him. The sequence is rounded out by subtly moving rectangles and credits that frame the historical narrative and set the tone as we move through history to the present day.