We love films, and we love the art of the title, so we jumped at the chance to design and animate the main titles for The Congressman, released in Spring 2016.
The film stars Treat Williams as Maine Congressman Charlie Winship. Fed up with Washington and special interest lobbyists, battered by a media scandal and recovering from divorce, it is only after meeting a group of rugged and self-reliant lobstermen fighting to save their way of life that Charlie reconnects with the idealism that drew him to Congress, while discovering a second chance at personal happiness.
In addition to the main titles, the sequence had to communicate Charlie’s backstory to the audience by incorporating a series of archival photos and clips.. Working closely with editor and co-producer Johanna Giebelhaus, our goals were to create a visual sequence recalling classic film titles of the 1960s and 70s with just a hint of a modern feel, and to find an elegant solution within the resources of an independent production.
We’re proud of the final sequence, anchored by a handwritten main title, evocative of both the lawmaker’s signature and the intimacy of the narrative. The tiles reference both the pieces of Charlie’s life, which may be falling apart or coming together, as well as the frame through which the illicit photographer is spying on him. The sequence is rounded out by subtly moving rectangles and credits that frame the historical narrative and set the tone as we move through history to the present day.
We were privileged to be part of this production, with a first-rate performance from Treat Williams, and featuring both gorgeous photography and music by longtime friend Joe Arcidiacono.
The Congressman is now available on Amazon and numerous other streaming services and enjoying theatrical runs throughout the country. You can see the full schedule and list on the film’s website.
It’s an election year and everyone has an opinion about what’s broken in Washington.
The Congressman stars Treat Williams as a frustrated lawmaker who catches a breath of fresh air during an unexpected retreat to a remote island in his district to deal with a fishing dispute.
The film, written and co-directed by former congressman Robert Mrazek, tells a story which evokes Bill Forsyth’s Local Hero, a personal favorite of Declan’s.
We designed and animated the main titles.
The film anchored closing night of the The 18th Annual Sarasota Film Festival, and hits theaters in New York and Washington on April 29, and independent cinemas across the country in the weeks that follow.
Find the complete schedule on the film’s website.
See The Congressman. And vote.
The Standbys, a documentary feature from director Stephanie Riggs for which we had the privilege of designing and animating the titles and graphics, opens February 21, 2014 for a New York City Theatrical Run at the Quad Cinema in Greenwich Village.
The Standbys follows a variety of undiscovered performers for several years through their ups and downs, struggles and triumphs, onstage performances and private lives.
The film is a New York Times Critic’s Pick.
You can view a clip of the film’s open, including our main title design, in the portfolio here.
Catch The Standbys in the theater! Get tickets here.
We were recently hired by Beat Media Group to develop the motion graphic elements for the main titles for the Architecture & Design Film Festival.
The animated elements are based upon Obek Design’s beautiful work for the web and print material, and were incorporated with festival film clips in collaboration with director Stephanie Riggs of Beat.
The festival began in New York City October 16-20, 2013 and continues with programs in Chicago in and Los Angeles this coming Spring.
The bumper, which plays before each program in the festival, is up in the portfolio.